BoxOffice

Editor’s note: Deadline presents the 42nd episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
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Before Disney’s 20th Century Studios’ Avatar: The Way of Water floods the box office with a potential $200M opening on Dec.16, Universal might have a surprise this weekend in the 87North holiday action movie Violent Night, starring David Harbour. Universal is hoping for $10M, maybe $12M on the Tommy Wirkola-directed movie for a second place
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Here’s another bucket of cold water for the budding romance between Netflix and exhibitors. Founder and co-CEO Reed Hastings fully, almost happily, agreed that his company left lots of money on the table with the limited release and booming ticket sales of Glass Onion: A Knives Out Mystery over Thanksgiving weekend. He has no problem
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The highest grossing movie of the year, Top Gun: Maverick, is going back into select theaters this Friday, Dec. 2 on premium large format screens and Imax for a two-week run. The news comes in the wake of Paramount+ setting a drop date for Tom Cruise’s biggest grossing movie of all-time ($716.6M, $1.486 billion WW)
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Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
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Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at
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Death, taxes, and films that bomb at the box office. Such is life in Hollywood, and at the end of the day, the estimated $147M loss which is expected for Disney Animation’s Strange World isn’t spilt milk to cry over for the entertainment conglomerate. The bombing of the Thanksgiving family title, with a $28M global
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In its third weekend, Disney/Marvel’s Black Panther: Wakanda Forever continued to reign at the global and international box office. With a $32.1M offshore frame (-53%), the sequel has an overseas total of $308M for $675.6M worldwide through Sunday. Before we look more closely at the hold on Wakanda Forever, however, attention turns to Disney’ new
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Laura Poitras’ Venice Golden Lion-winner  All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2. Presented by Neon, this is the story of internationally renowned photographer
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WEDNESDAY AFTERNOON: Early figures and take the 3-day and 5-day with a grain of salt as projections are always off at this point in a Thanksgiving stretch. Disney/Marvel Studios’ Black Panther: Wakanda Forever is leading today with $9.5M, even with yesterday and a $50M Wednesday through Sunday outlook. However, Strange World, as we thought, it
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EXCLUSIVE: In step with domestic, Walt Disney Animation Studios’ Strange World will make its offshore theatrical debut this week, and is eyeing an overseas start in the $21M-$29M range. That’s lower than where a new animated movie from Disney might normally kick off, but the studio has taken a voluntary pass on more than 20
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EXCLUSIVE: Magnolia Pictures has snapped up North American rights to the Toronto Film Festival closing-night film Dalíland from Mary Harron, Deadline has learned. Oscar winner Ben Kingsley stars as the titular Salvador Dalí, and Ezra Miller plays the younger version of the world-renowned 20th century artist. Magnolia plans a theatrical release next year. Dalíland tells
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EXCLUSIVE: Sam Mendes has picked Johnny Flynn (Emma, Beast), Tuppence Middleton (Downton Abbey, Mank) and Sherlock’s Mark Gatiss to portray legendary stars Richard Burton, Elizabeth Taylor and John Gielgud in The Motive and the Cue, a mouth-watering new play by Jack Thorne that explores how acting giants Burton and Gielgud staged Hamlet on Broadway in
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Call it a holiday tradition as common as sweet potatoes on the Thanksgiving table, but Disney is going to rule the five-day holiday stretch again after wins in 2016 (Moana), 2017 (Coco), 2018 (Ralph Breaks the Internet), 2019 (Frozen 2) and last year (Encanto), as Black Panther: Wakanda Forever‘s third weekend looks to do $40M
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Luca Guadagnino’s Timothée Chalamet-starring, edgy cannibal road trip romance Bones And All pulled in young demos (79% in the 18-34 rage) and women (54%-46% female) for an opening weekend gross of $120k, or $23.9k per screen average in five theaters. That’s respectable and in line with distributor UAR expectations although below recent debuts including Banshees
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Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday.  The split is $288M domestic and $258.3M from the international box office. The Ryan Coogler-directed sequel is currently the No. 8 highest-grossing Hollywood release of 2022 overseas. Globally,
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A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is
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“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
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EXCLUSIVE: Searchlight’s absurdist genre comedy got off to a promising start with $1M+ in Thursday night previews, we hear. That number is up there with recent comps such as Barbarian, which did $850K on its Thursday night before a $10.5M opening, and The Northman, another Anya Taylor-Joy movie, which posted $1.35M before a $12.2M start.
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Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
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